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An Existential Uniting of Classic and Contemporary: A review of Yu Hong’s ‘Another One Bites the Dust’, Venice 2024

An Existential Uniting of Classic and Contempor...

Yu Hong’s Another One Bites the Dust is simultaneously uplifting, depressing, and profoundly moving. I leave contemplating the very essence of life, birth, death and suffering. Hong’ paintings are a...

An Existential Uniting of Classic and Contempor...

Yu Hong’s Another One Bites the Dust is simultaneously uplifting, depressing, and profoundly moving. I leave contemplating the very essence of life, birth, death and suffering. Hong’ paintings are a...

Review of Kelly Wu’s ‘Missing Angel’

Review of Kelly Wu’s ‘Missing Angel’

“I quit smoking by this is a special occasion” giggles Wu as we begin to chat about her life and work. It certainly is a special occasion- ‘Missing Angel’ marks...

Review of Kelly Wu’s ‘Missing Angel’

“I quit smoking by this is a special occasion” giggles Wu as we begin to chat about her life and work. It certainly is a special occasion- ‘Missing Angel’ marks...

A Review of ‘Art & Fear’ by David Bayles and Ted Orland

A Review of ‘Art & Fear’ by David Bayles and Te...

I suffer from a condition where there are paintings trapped inside my head. Not just paintings actually; drawings, exhibitions, articles and essays. They’re all waiting to be freed when my...

A Review of ‘Art & Fear’ by David Bayles and Te...

I suffer from a condition where there are paintings trapped inside my head. Not just paintings actually; drawings, exhibitions, articles and essays. They’re all waiting to be freed when my...

Constrained and Liberated: George Rouy's 'The Bleed' at Hauser & Wirth

Constrained and Liberated: George Rouy's 'The B...

Rouy’s paintings bring the traditional theme of the nude to an ever-evolving youth culture. The movement of his bodies is borrowed directly from nightclubs, where Rouy mimics the movements of...

Constrained and Liberated: George Rouy's 'The B...

Rouy’s paintings bring the traditional theme of the nude to an ever-evolving youth culture. The movement of his bodies is borrowed directly from nightclubs, where Rouy mimics the movements of...

What I Liked at the 2024 Venice Biennale

What I Liked at the 2024 Venice Biennale

A funky shade of coral-red drenched the American pavilion, grabbing attention a mile off and positively glowing in the Italian sunshine. The whole building was incredibly, unexpectedly joyous. A stark...

What I Liked at the 2024 Venice Biennale

A funky shade of coral-red drenched the American pavilion, grabbing attention a mile off and positively glowing in the Italian sunshine. The whole building was incredibly, unexpectedly joyous. A stark...

Is it Problematic to Separate ‘Women Artists’? Thoughts on ‘Now You See Us’ at Tate Britain

Is it Problematic to Separate ‘Women Artists’? ...

Grouping artists together on gender feels a little simplistic. The only commonality of the work was that it was made by a woman. By grouping these works it is suggesting...

Is it Problematic to Separate ‘Women Artists’? ...

Grouping artists together on gender feels a little simplistic. The only commonality of the work was that it was made by a woman. By grouping these works it is suggesting...